Should We Become Hardened And Strong. The Industrial...

need to become hardened and strong. The Industrial Revolution was ultimately when man made fossil fuels became a problem for the environment. Before it, about 98% of Earth’s coral reefs were surrounded by waters with adequate aragonite saturation stats, which helped them maintain a healthy ecosystem (Oceana, 2014). However, now almost 60% of coral reefs are in waters that have less adequate aragonite saturated stats (Oceana, 2014), meaning that maintaining their hardened exterior has become increasingly difficult for coral across the globe. Researchers say that if the carbon dioxide concentration increases to 450 parts per meter (ppm), which it will if carbon dioxide emission is not controlled, over 90% of coral reefs will be in waters that cannot sustain the aragonite they need to survive (Oceana, 2014). Due to the rapid increase of carbon dioxide emissions, scientists believe that this is not far off. In fact, they fear that the concentration may double that of what it was p rior to the Industrial Revolution, which would result in stopping coral growth entirely, and all existing coral reefs will begin to erode (Oceana, 2014). A prime example of some of the major damage being done to coral reef habitats is the Great Barrier Reef itself. The Great Barrier Reef is home to almost 400 types of coral, one of the biggest collections in the world (Iacurci, 2014). It is also home to over 1,500 species of fish, as well as 4,000 different types of mollusks (Iacurci, 2014). The GreatShow MoreRelatedThe End Of The Civil War1228 Words   |  5 Pagesand later the political conflict between Johnson and the Radical Republicans, and lastly, the political struggle between Republicans and Democrats. It all resulted in the ever-changing policies toward the freed people. These different policies had strong effects on the society, especially the freed people. 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Concealment in the Twelfth Night Free Essays

British Literature: Concealment in Twelfth Night Throughout Twelfth Night, concealment influences each character’s life because it’s essential to portray how falsehood can be amusing or agonizing before they can discover their identity in life. Therefore, the concept of concealment not only affects the characters’ mistaken identities and abilities to express true love, but it gives the story comedic and entertaining qualities. Furthermore, concealment portrayed throughout this story makes each character develop an identity with either showing cleverness or madness, while it also makes each character realize the principles towards obtaining love and truth. We will write a custom essay sample on Concealment in the Twelfth Night or any similar topic only for you Order Now For instance, Viola’s disguise as Cesario and Feste’s costume as Sir Topas shows that they are both clever and amusing which causes characters to experience deception and confusion until their identities are revealed. With this in mind, concealment not only deludes characters from reality, but it exposes the abundance of true love among Viola, Orsino, Olivia, Sebastian, Maria and Sir Toby, which leads to three marriages within the story. Nevertheless, concealment causes the people to experience deceptions and illusions, but also provides humor concerning the morality of human behavior. Moreover, the first example of concealment during the Twelfth Night is Viola’s disguise as Cesario. Viola’s concealment is central to the plot because it is clearly evident that the fluctuation in attitude to the dual role and the situations and tribulations imposed upon the character Viola/Cesario, ends up creating a better understanding of both sexes and thus, allows Viola to have a better understanding of Orsino. For instance, at the end of the story when Orsino finally realizes who Cesario is, he professes his love to Viola by saying: â€Å"When that is known, and golden time convents, A solemn combination shall be made Of our dear souls. Meantime, sweet sister, We will not part from hence. Cesario, come- For so you shall be, while you are a man; But when in other habits you are seen, Orsino’s mistress and his fancy’s queen† (5. 1. 352-358). Consequently, Viola learns that in the role of Cesario, she had to be quick on her feet and defend the probing questions and statements as to her love and others love for her. Also, she acquired the skill to bide her time, until the time was right, in case she reveal her true self or intentions. The disguise also prevents Viola from expressing her love for Orsino, it contributes to the dramatic ironies by causing complications of mistaken identity. Moreover, Viola cannot show her love for Orsino, the only way she can express them is in her soliloquies to the reader, this contributes to the dramatic ironies. For example, when Viola conveys to Orsino what Olivia told her concerning love by saying: â€Å"A blank, my lord. She never told her love, But let concealment, like a worm i’ the bud, Feed on her damask cheek. She pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief. Was not this love indeed? We men may say more, swear more, but indeed Our shows are more than will, for still we prove Much in our vows, but little in our love† (2. 4. 108-115). There are many examples of concealment concerning Viola alone, which enables her to work for Orsino as a messenger: it causes Olivia to fall in love with her and it causes both of them to disguise their feelings from each other until Orsino becomes aware that Cesario is Viola. Concealment also causes mistaken identity. For example, Sir Andrew goes looking for Cesario, strikes him, finds out later it is, Sebastian. Sebastian hits him in return, but sevenfold, and Sebastian having been in Illyria only a few days is proposed to by a beautiful lady and is hit by a man he had never seen before, † Why, there’s for thee, and there, and there! Are all the people mad? â€Å"(4. 1. 16-17). This is a funny series of events started by the disguise of one single woman. It is evident therefore, that the disguises of Viola / Cesario as an example are very important and central to the plot. Also, it portrays how some characters are deceived about their true nature. An example of this is when Orsino sees himself becoming Olivia’s sweet perfections, fulfilling her sexual desire, thought and feeling. He naively believes that he is in love with Olivia when he has never really spoken with her. Another example is Olivia adopting the pretence of mourning and the puritanical Malvolio is tricked into the role of Olivia’s suitor and becomes a smiling courtier. As a result, oncealment contributes to most of the comedy because there is the occasion when Feste dresses up as Sir Topas and Sir Toby brings the joke to an end out of self interest than any concern for Malvolio. Feste uses a black parson’s gown, which is, ironically, the color normally associated with Malvolio, who in contrast is dressed in bright colors. This reversal provides a visible symbol of just how thoroughly his pride has been humiliated. Feste says, â€Å"There is no darkness but ignorance† and Malvolio’s ignorance has been ruthlessly exposed, although he was ignorant to think that Olivia loved him in the first place (4. . 33). It is the verbal and character comedy of Sir Topas, showing how humor comes from the rapid switching of roles and, if rather uneasily, from the deception of Malvolio. There are also more subtle examples of concealment in the Twelfth Night, the nature of characters as well as their identities are disguised. In the letter to Malvolio, Sir Toby Belch disguises his real motives behind his show of friendship for Sir Andrew. Illyria could also be a disguised England, not many people had traveled in Shakespeare’s day and so perhaps he ma de up Illyria to be a fantasy England. This place could be where all stereotypes of English people get up toimg src="http://cdncache-a.akamaihd.net/items/it/img/arrow-10x10.png" / a variety of things, creating familiar stereotypes in a slightly different setting. Perhaps also, Shakespeare wishes to show his audience how ready humans are to disguise themselves: Orsino and Olivia are both disguising their feelings, Malvolio’s vanity and illusions about himself and his mistress help in his humiliation. The irony is that Orsino and Olivia are led to face reality by the characters Viola and Sebastian, who are at the center of the confusion over identity. Disguised characters were a stock convention of comedy, but Shakespeare uses the device to give it wider significance. The play makes us consider what our beliefs are about ourselves and others based upon. Therefore, in conclusion, it can be seen how very important and significant the theme of concealment is. Many forms of concealment featured in the play portray how  emotions and intentions are disguised behind an outer appearance, pretence or an attitude in which the characters possess within each situation. Concealment connects the story, the characters and the different scenes in the play. However, if there wasn’t concealment in the Twelfth Night, there wouldn’t be any humor reflecting the conflicts or problems, which influences the characters’ lives with understanding the truth about love and what causes illusion/deception. Bibliography Shakespeare, William. Twelfth Night. The Longman Anthology of British Literature. Ed. David Damrosch et al. 4th ed. New York: Longman, 2009. Vol. 1B. pp. 1217-1272. How to cite Concealment in the Twelfth Night, Papers

Adaptation by Spike Jonze free essay sample

After watching Spike Jonze’s 2002 Adaptation comic film I cannot help but demonstrate empathy towards certain characters, specifically, Donald and Charlie who are twin brothers. For example, I am greatly saddened by the failure of the conventionally successful Charlie to produce a sufficiently impressive script for the Adaptation movie. Such an outcome, which demonstrates a defeatist attitude on the part of Charlie, also points out that with passion, persons can attain almost any feat that they set out to accomplish. On his part, Donald records success in his script writing endeavors basically owing to his intense passion in his undertakings. The good relationship between the 2 brothers, despite their obvious differences, thus makes me proud of their originality and accommodative powers. Further, I marvel at John Laroche’s great efforts to adapt Susan Orlean’s The Orchid Thief article into film. Through this undertaking, Laroche demonstrates intense determination as he attempts a very difficult undertaking. Laroche’s strong willpower thus motivates me to always put forth my best efforts in all activities. Another poignant incidence in Jonze’s film is the instance whereby after experiencing the double tragedy of losing both his wife as well as his wealth, Laroche is hired by Seminoles to aid in orchid collection. This development acts as a much needed reprieve for the obviously troubled Laroche. The man who has been recently rendered destitute secures a source of income. This event thus makes me to poignantly reflect on how humanity is usually a sad victim of circumstances with regard to natural catastrophes like the hurricane that destroys Laroche’s possessions. I thus hold that mankind is a very feeble creature in the wide universe. Related to the aforementioned concept, although Laroche benefits from the Seminoles’ assignment, the Indians are essentially abusing Laroche, a fact that later lands him into trouble. It looks as though Laroche does not bother to investigate how the Seminoles are using the orchids he collects for them. This aspect makes Laroche to ultimately be at loggerheads with the authorities. He is accused of acquiring orchids that the Seminoles use to manufacture illegal drugs. This development also illustrates how desperation can lead people to engage in unthinkable activities. Laroche’s needy status does not allow him time to seek further clarification as to how the Seminoles use the orchids. I therefore greatly empathize with Laroche for his unfortunate situation. Ultimately, towards the end, Jonze transforms the otherwise slow-paced movie to become a fast-paced action-packed film. This changeover is symbolic for it not only heralds doom, but also brings the movie to a poignant halt. For instance, Jonze’s sad victims of circumstances Donald, Laroche, and Susan die, with Charlie the hero being left intact. I am thus made to feel sorry for the three characters who die as the film ends. How would you differentiate Charlie Kaufman from his twin brother Donald? Obviously they both look exactly like Nicholas Cage, but does Cage portray both twins identically? If not (and not is the way to go here), whats different? I dont want you to state your overall impressions or opinions or conclusions here, as much as I want to know what made you draw those conclusions. What does each of these characters do or say on the screen that makes you conclude Thats not what his twin brother would do or say? Nicholas Cage does not completely succeed in making Donald and Charlie similar because both characters are presumably identical twins but behave differently throughout the film. For instance, at one point, Charlie points out that the direction that McKee gives regarding scriptwriting is unnatural. Conversely, Donald seems to accept McKee’s advice as good. This disparity makes the 2 brothers to openly disagree regarding McKee’s script writing counsel. Where does Charlie Kaufmans script end, and his brothers (or some sort of Charlie/Donald collaboration) begin? Charlie terminates his script after he discovers that he cannot confidently approach Susan for script writing advice. It is at this time that Donald comes to the rescue of his brother. Donald thus approaches Susan on behalf of his brother. The 2 brothers thus join efforts and begin working as a unified team. Similarly, where does Meryl Streep stop characterizing the real Susan Orlean, and begin characterizing the fictional Susan Orlean? As with the Kaufman twins, find specific scenes and actions and dialogues that differentiate the one from the other. When Donald and Charlie are strategizing on how to trick Susan into giving out crucial script writing information, Meryl Streep fully metamorphoses into the fictional Susan.   Specifically, the interview session that Donald has with Susan marks her full changeover from the real Meryl Streep. Was this movie an adaptation of Orlean’s work? Did it try to make the same or similar points to the ones she was trying to make? Was there any of her work? The sprawling New Yorker stuff? That Charlie Kaufman complains about to his agent that you felt had been omitted to the movies detriment? Or did the movie go in a completely different direction (and thus not even qualify as an adaptation at all)? The Adaptation movie initially follows the course of Susan’s The Orchid Thief story but later changes into an entirely different creation whereby the relationships and personalities of the Kaufmann brothers are explored. The question of whether or not the film qualifies as an adaptation of Susan’s story is thus muddled. Explain the pun in the title ‘Adaptation’. Adaptation is an ironical title for the movie because it essentially has to do with Kaufman’s inability to adapt Susan’s story into a movie. Further, no real adaptation of the story occurs through the movie’s events. Read all of these responses to it, and write your own response to any specific point that interests you. (You can respond to more than one source if you like, as long as it addresses the same general point youre discussing.) This is another opportunity for you to display your documentation skills. (You may need to do a little library work to discover how to document these sourcesI DONT want to see Professor Goldleafs assignment listed as a source, although thats technically what your source is. I want you to document these sources as if youd found them on your own, and your paper will be read by someone outside of this course who has no idea how to find your assignment.) Again, this DB will be eligible for full credit (3 points) only if its submitted on time, in exceptionally clear prose, with a colorful title, good paragraphing, superb documentation form, and is at least 300 words. David Denby’s 2002 the New Yorker post titled Hothouse Adaptation and Solaris has a number of significant points. For example, the author makes a number of questionable generalizations through the article. On the other hand, Denby presents some arguments that are laudable and that demonstrate his wit through the article. To begin with, Denby controversially employs the success that Donald demonstrates in the movie making industry as a testimony to the fact that conventional moviemaking requires more than intellectual knowledge (Denby). To demonstrate, Donald is not famous as a script writer. Despite this deficiency, Donald however emerges as being more effective in script writing as compared to his self assuming brother. This development stuns not only Donald himself, but also Charlie his brother as well. Academic knowledge is thus shown as not being the only significant factor as to whether or not one succeeds in movie making. It is as if Denby seeks to argue that natural artistic talent plays a bigger role in enabling one to succeed in the arts. This is a concept that is conventionally acknowledged in the contemporary world. Denby is thus spot on in mentioning and analyzing this peculiar quality in Donald that sees him triumph over Charlie. I should however mention that through the movie, it is not evident that Laroche has the hidden agenda of scientifically multiplying the orchid to benefit himself as he accepts the Seminoles’ assignment. Denby would thus be required to provide substantiation for his idea that Laroche seeks to breed the orchid in vitro so as to gain financial benefits from its sales. This clarification would not only provide an additional angle for analyzing the motive from, but also establish Denby as a critical and sensitive thinker. All in all, Denby has developed a very intuitive and informative article about the adaptation movie. The article offers deeper insight and analysis of the motive, both explicit and explicit, behind Jonze’s development of the movie. His efforts are thus laudable despite the aforementioned unclear points. Work Cited Denby, David. Hothouse: The New Yorker. 9 Dec. 2002.7 Aug. 2010. http://www.newyorker.com/archive/2002/12/09/021209crci_cinema.

Lack Of Creativity In Contemporary Bangla Literature And free essay sample

Bangle contemporary novel writers have to add various dimensions in their writing in order to gain more acceptance among the readers Of Bangle literature. C] Contemporary writers need to use more metaphors among their writings and have to use their writings carefully and subtly in order to keep their readers interested. The writers have to assume that the readers are intelligent. This way they will be able to thrive. 3 Chuddar, S. (n. D). Stated that The Bengali novel originated in the nineteenth century as a product of the colonial encounter, though it drew upon a multiplicity of iterate traditions, indigenous as well as foreign. P. 6 ). C] Though those are the criteria of the initial category novels of Bangle, it has evolved very much since then. 4 RESEARCH QUESTIONS C] When was the last time they read a Bangle novel? CLC What do they expect from the writers? 0 How do they compare the international literature with the Bangle literature? 5 D What are they aspects they dont like about Bangle C] What do they think about lack of creativity in Bangle 6 HYPOTHESIS 0 The contemporary Bangle literature have many important aspects. We will write a custom essay sample on Lack Of Creativity In Contemporary Bangla Literature And or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Once a lot of creativity were hon. by the Bangle novel writers. But now we can see lot of clicks and predictability among the writers.C] From my research, expect to find that the writers are not getting enough motivations for writing Bangle 7 D think new writers cannot be found in contemporary Bangle literature due to the economic hardship the writers have to bear and endure. 1 also think that too much exposure to technology is killing the appetite for literature in youth. C] I also think that this situation can be changed with the necessary steps from the people related with Bangle 8 Number of respondents (20) . The last time the participants of the survey read a Bangle novel 12 10 25% 15% 5% A. Thin a month B. Before one month C. Within a year D. Cannot remember 55% people cannot remember when was the last time they read a Bangle novel. 80% of the respondents of the survey havent read a Bangle novel within a month. 9 2. Category of a contemporary Bangle novelist of the current era A. D. Creative, B. C. Mediocre, 3, 15% predictable, A. Weak predictable C. Mediocre D. Creative 70% of the respondents have a negative attitude toward a contemporary writer Of the current era. Only 30% of the respondents think that the contemporary writers of the current era are creative.

Like A Family Book Review essays

Like A Family Book Review essays Book Review of Like A Family Jacquelyn D. Hall, James Leloudis, Robert Korstad, Mary Murphy, Lu Ann Jones, and Christopher B. Daly wrote Like A Family. The book was published under W. W. Norton Like A Family was written to illustrate the emergence of the wage labor movement in the South through the textile industry and how these cotton mills evolved into a major economic way of life for Southerners. The origins of this book began during the 1970s by the Southern Oral History Program at the University of North Carolina. The authors wanted to capture the industrialization of the New South through orations by men and women whose past lay in an agrarian lifestyle to the transformation of these people to factory workers. Like A Family tries to bridge the gap between the nineteenth and twentieth centuries while contributing to the steady flow of working-class people in which women, children, and community life played a major role. The authors divided the book into two halves, with part one describing the evolution of the cotton mill world between 1880 and 1920; moreover, part two roughly covers 1920 to 1935 and how national policy and cultural trends affected the lives of those people involved with cotton mill labor. The story is told as a chronological narrative and the characters portrayed embody the values, which I found to be very endearing, that were instilled in me growing up in rural North Carolina. There are a lot of pictures and maps to impact the reader with a sense of how an agrarian southerner lived and the location of the factories that are discussed throughout the book. The creators of this book interviewed at least 200 people from that time period to exemplify the feelings and thoughts that were ominous in the south at that time. Conceptually speaking, the authors f...

Joan Benoit - Marathon Runner

Joan Benoit - Marathon Runner Joan Benoit Facts: Known for: winning Boston Marathon (twice), womens marathon at 1984 OlympicsDates: May 16, 1957 -Sport: track and field, marathonCountry Represented: USAAlso known as: Joan Benoit Samuelson Olympic Gold Medal: 1984 Los Angeles Olympics, womens marathon. Notable especially because: it was the first time the modern Olympics games included a marathon for womenBenoit had knee surgery 17 days before the eventshe beat the reigning womens world champion, Grete Waitzher time was the third best ever for a woman Boston Marathon Wins: First place 1979: time 2:35:15Won 1983 Boston Marathon: time 2:22:42 Joan Benoit Biography: Joan Benoit started running when, at fifteen, she broke a leg skiing, and used running as her rehabilitation. In high school she was a successful competitive runner. She continued with track and field in college, Title IX giving her more opportunities for college sports than she might otherwise have had. Boston Marathons Still in college, Joan Benoit entered the Boston Marathon in 1979. She got caught in traffic on the way to the race, and ran two miles to get to the starting point before the race began. Despite that extra running, and starting at the back of the pack, she pulled ahead and won the marathon, with a time of 2:35:15. She returned to Maine to finish her last year of college, and attempted to avoid the publicity and interviews that she disliked so much. Beginning in 1981, she coached at Boston University. In December of 1981, Benoit had surgery on both Achilles tendons, to try to cure recurring heel pain. The following September, she won a New England marathon with a time of 2:26:11, a record for women, beating a previous record by 2 minutes. In April of 1983, she entered the Boston Marathon again. Grete Waitz had set a new world record for women the day before at 2:25:29. Allison Roe of New Zealand was expected to win; she had come in first among the women in the 1981 Boston Marathon. The day provided excellent weather for running. Roe dropped out because of leg cramps, and Joan Benoit beat Waitz record by more than 2 minutes, at 2:22:42. This was good enough to qualify her for the Olympics. Still shy, she was gradually getting used to the inevitability of publicity. A challenge was raised to Benoits marathon record: it was claimed that she had an unfair advantage from pacing, because mens marathon runner Kevin Ryan ran with her for 20 miles. The records committee decided to let her record stand. Olympic Marathon Benoit began training for the Olympics trials, which would be held on May 12, 1984. But in March, her knee gave her problems which an attempt at rest did not solve. She tried an anti-inflammation drug, but that also did not resolve the knee problems. Finally, on April 25, she had arthroscopic surgery on her right knee. Four days after surgery, she began running, and on May 3, ran for 17 miles. She had more problems with her right knee and, from compensating for that knee, her left hamstring, but she ran in the Olympic trials anyway. By mile 17, Benoit was in the lead, and though her legs continued to be tight and painful for the last miles, she came in first at 2:31:04, and so despite being just weeks out of surgery qualified for the Olympics. She trained over the summer, usually in the heat of the day anticipating a hot run in Los Angeles. Grete Waitz was the expected winner, and Benoit aimed to beat her. The first womens marathon at a modern Olympics was held August 5, 1984. Benoit sped up early, and no one else could overtake her. She finished at 2:24:52, the third best time for a womens marathon and the best in any all-women marathon. Waitz won the silver medal, and Rosa Mota of Portugal won the bronze. After the Olympics In September she married Scott Samuelson, her college sweetheart. She continued to try to avoid publicity. She ran the Americas Marathon in Chicago in 1985, with a time of 2:21:21. In 1987, she ran the Boston Marathon again this time she was three months pregnant with her first child. Mota took first. Benoit didnt participate in the 1988 Olympics, focusing instead on parenting her new infant. She did run the 1989 Boston Marathon, coming in 9th among the women. In 1991, she again ran the Boston Marathon, coming in 4th among the women. In 1991, Benoit was diagnosed with asthma, and back problems kept her from the 1992 Olympics. She was by then the mother of a second child In 1994, Benoit won the Chicago Marathon in 2:37:09, qualifying for the Olympic trials. She placed 13th in the trials for the 1996 Olympics, with a time of 2:36:54. In the trials for the 2000 Olympics, Benoit placed ninth, at 2:39:59. Joan Benoit has raised money for the Special Olympics, Bsotons Big Sisters program and for multiple sclerosis. She has also been one of the runners voices on the Nike running system. More Awards: Ms. Magazine Woman of the Year 1984Amateur Sportswoman of the Year 1984 (shared award), from the Womens Sports FederationSullivan Award, 1986, from the Amateur Athletic Union, for best amateur athlete Education: public high school, MaineBowdoin College, Maine: graduated 1979graduate school: North Carolina State University Background, Family: Mother: Nancy BenoitFather: Andre Benoit Marriage, Children: husband: Scott Samuelson (married September 29, 1984)children: Abigail and Anders

Accounting Theory Essay Example | Topics and Well Written Essays - 1500 words - 1

Accounting Theory - Essay Example Laan (2009) argues that the two theories namely Stakeholder and Legitimacy, derived from the broader political economy perspective, broadly explain motivations for social disclosures. The paper aims at exploring whether the main motivation to corporations for social and environmental reporting is to enhance their corporate image and credibility with stakeholders. While a few decades back, corporations sole aim remained enhancing shareholder value in financial terms and report them as per the statutory norms, organisations have now moved beyond traditional financial reporting of their performance to its stakeholders. Currently, stakeholders group not merely constitute shareholders, employees, suppliers, creditors, customers but they also include society, community and all those who are affected by the operations of the organization. Corporate social reporting thus, has occupied a wider perspective. Stakeholder theory prescribes that all stakeholders including primary and secondary have the right to expect fair treatment from an organisation. That is to say management needs to manage the corporation such that interests of all stakeholders are secured. Community or Society at large may not be directly engaged in transactions with the corporation yet they are influenced and affected by the activities of corporations such as emission levels, waste water creation and its treatment, impact on ecology or surroundings and so on. Ethical branch of stakeholder theory also necessitates that community and society not only have a right to know how they are affected or impacted in the long run from the activities of corporations but also they expect that they must be treated fairly by corporation. At the same time, managerial branch of stakeholder theory explains that organisations prefer to provide social and environmental reporting when they believe that it is in their